Volcano

Oil colors, pigments, gold leaf, canvas, colored pastes, dried flowers, and pomegranate peels.

Through research and study of the materials used by artists throughout the ages, this work is an attempt by the researcher to engage with nature and simulate heritage between the subtle and the prominent. It utilizes fabric pieces, colored pastes, and layers that appear and disappear in some parts. In certain areas, colors interweave, with the material asserting its strength and dominance. Fabric pieces rise above the colored pastes, merging and disappearing again, creating dynamism that indicates the changing of time and seasons.

The researcher also employed color spots to adjust the composition, creating a balanced formation with variations in the heights of blocks and colored pastes, introducing a noticeable temporal dimension to the work. The lines and circular movements in the painting appear as if swimming in space, considering the visual and imaginative aspects according to the distinctive flexibility and spontaneity of the technical conditions.

Various modification and reduction techniques are used to strengthen expression and elevate it to a level of beauty in its mysterious appearance. This is achieved by addressing heritage ideas in a non-traditional manner and with an aesthetic vision that blends reality and inspiration.